Researchers hail find of secret Da Vinci lab
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Researchers hail find of secret Da Vinci lab
By John Phillips
Rome - Researchers have discovered the hidden laboratory used by
Leonardo Da Vinci for studies of flight and other pioneering scientific
work in previously sealed rooms at a monastery next to the Basilica of
the Santissima Annunziata, in the heart of Florence.
The workshop rooms, located between the Institute for Military
Geography and the Basilica, include frescos on walls painted by Da
Vinci that have "impressive resemblances" to other examples of his
experimental work, including a tryptich of birds circling above a
subsequently erased representation of the Virgin Mary that "constitutes
a clear citation of the studies by the Maestro on the flight of birds",
according to the three researchers, Alessandro Del Meglio, Roberto
Manneschalchi and Maria Carchio.
An angel painted as standing at the side of the fresco scene bears a
striking resemblance to the angel in an Annunciation attributed to Da
Vinci in Florence's Uffizi Gallery.
Da Vinci's use of the rooms was referred to in letters written by
Piero da Novellata to Isabella D'Este and they were cited by Giorgio
Vasari in his 16th century biography, Lives of the Artists, they said.
"The finds are particularly interesting as they will help us to
understand the context in which Leonardo was working in these rooms
exactly 500 years ago," said Prof Alessandro Vezzosi, a prominent Da
Vinci scholar.
The Tuscan-born scientist, painter, philosopher and poet was aged 51
when he returned to Florence in 1503 after many years in Milan, where
he already had established his reputation and a period of extended
travel.
The rooms he took in the 16th century were in a religious house run by
monks from the order of the Servi di Maria, the Servants of Mary, but
in a part of the monastery set aside for renting to lay people as
guestrooms, the researchers added.
The discovery coincides with the opening in Rome on Tuesday of another
major exhibit of 70 tables from Da Vinci's Codex Atalanticus,
incorporating his visions of flying and other machines at Rome's Lincei
Academy.
"This will be the only chance many people ever get to see the Codex,"
said the curator of the exhibition, Carlo Barbieri.
The tables on display are from the so-called Hoepli version of the
Codex.
Academics from the 400-year-old Lincei spent 15 years copying a
reproduction of the original that was published in 1904 by the Hoepli
publishing house.
The exhibition displays Da Vinci's designs next to working models of
his versions of machines and modern machines operating today.
There are models of Da Vinci's bicycle, his flying machine and his
"car", driven by spiral springs contained within drums beneath the
wagon, rather like a wind-up toy.
Most academics believe the loose car forerunner was created for the
entertainment of nobles at a Renaissance celebration.
Some suggested it was designed at the request of the Duke of Milan,
Ludovico Sforza, possibly for use as a kind of mobile stand for a
theatrical prop. - The Independent
€ This article was originally published on page 3 of The Mercury
on January 12, 2005
Published on the Web by IOL on 2005-01-12 06:51:00
By John Phillips
Rome - Researchers have discovered the hidden laboratory used by
Leonardo Da Vinci for studies of flight and other pioneering scientific
work in previously sealed rooms at a monastery next to the Basilica of
the Santissima Annunziata, in the heart of Florence.
The workshop rooms, located between the Institute for Military
Geography and the Basilica, include frescos on walls painted by Da
Vinci that have "impressive resemblances" to other examples of his
experimental work, including a tryptich of birds circling above a
subsequently erased representation of the Virgin Mary that "constitutes
a clear citation of the studies by the Maestro on the flight of birds",
according to the three researchers, Alessandro Del Meglio, Roberto
Manneschalchi and Maria Carchio.
An angel painted as standing at the side of the fresco scene bears a
striking resemblance to the angel in an Annunciation attributed to Da
Vinci in Florence's Uffizi Gallery.
Da Vinci's use of the rooms was referred to in letters written by
Piero da Novellata to Isabella D'Este and they were cited by Giorgio
Vasari in his 16th century biography, Lives of the Artists, they said.
"The finds are particularly interesting as they will help us to
understand the context in which Leonardo was working in these rooms
exactly 500 years ago," said Prof Alessandro Vezzosi, a prominent Da
Vinci scholar.
The Tuscan-born scientist, painter, philosopher and poet was aged 51
when he returned to Florence in 1503 after many years in Milan, where
he already had established his reputation and a period of extended
travel.
The rooms he took in the 16th century were in a religious house run by
monks from the order of the Servi di Maria, the Servants of Mary, but
in a part of the monastery set aside for renting to lay people as
guestrooms, the researchers added.
The discovery coincides with the opening in Rome on Tuesday of another
major exhibit of 70 tables from Da Vinci's Codex Atalanticus,
incorporating his visions of flying and other machines at Rome's Lincei
Academy.
"This will be the only chance many people ever get to see the Codex,"
said the curator of the exhibition, Carlo Barbieri.
The tables on display are from the so-called Hoepli version of the
Codex.
Academics from the 400-year-old Lincei spent 15 years copying a
reproduction of the original that was published in 1904 by the Hoepli
publishing house.
The exhibition displays Da Vinci's designs next to working models of
his versions of machines and modern machines operating today.
There are models of Da Vinci's bicycle, his flying machine and his
"car", driven by spiral springs contained within drums beneath the
wagon, rather like a wind-up toy.
Most academics believe the loose car forerunner was created for the
entertainment of nobles at a Renaissance celebration.
Some suggested it was designed at the request of the Duke of Milan,
Ludovico Sforza, possibly for use as a kind of mobile stand for a
theatrical prop. - The Independent
€ This article was originally published on page 3 of The Mercury
on January 12, 2005
Published on the Web by IOL on 2005-01-12 06:51:00
#2
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Posts: n/a
On Wed, 12 Jan 2005 13:49:04 -0800, Go Fig <[email protected]> wrote:
>Researchers hail find of secret Da Vinci lab
>By John Phillips
> Rome - Researchers have discovered the hidden laboratory used by
>Leonardo Da Vinci for studies of flight and other pioneering scientific
>work in previously sealed rooms at a monastery next to the Basilica of
>the Santissima Annunziata, in the heart of Florence.
Mixi's broom cupboard next?
--
Martin
>Researchers hail find of secret Da Vinci lab
>By John Phillips
> Rome - Researchers have discovered the hidden laboratory used by
>Leonardo Da Vinci for studies of flight and other pioneering scientific
>work in previously sealed rooms at a monastery next to the Basilica of
>the Santissima Annunziata, in the heart of Florence.
Mixi's broom cupboard next?
--
Martin
#3
Guest
Posts: n/a
Go Fig wrote:
>The discovery coincides with the opening
>in Rome on Tuesday of another major
>exhibit of 70 tables from Da Vinci's Codex
>Atalanticus, incorporating his visions of
>flying and other machines at Rome's
>Lincei Academy.
It was a very interesting article and I'm hoping to see that exhibit if
it is still running in March.
I didn't have any luck in a google search but if I don't find anything
between now and then I'll just stop by.
Thanks for posting it! Regards, Walter
..And Paradise Was Lost...like teardrops in the rain...
>The discovery coincides with the opening
>in Rome on Tuesday of another major
>exhibit of 70 tables from Da Vinci's Codex
>Atalanticus, incorporating his visions of
>flying and other machines at Rome's
>Lincei Academy.
It was a very interesting article and I'm hoping to see that exhibit if
it is still running in March.
I didn't have any luck in a google search but if I don't find anything
between now and then I'll just stop by.
Thanks for posting it! Regards, Walter
..And Paradise Was Lost...like teardrops in the rain...




